the final quarter film techniquesthe final quarter film techniques

0000081321 00000 n He emerges before the fade-out as a thoughtful man, and not remotely strident, but one powerless to control snowballing events. The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . An in-depth look at casual racism and racial vilification in Australia. Addressing the media the day after famously being called an ape by a 13-year-old girl in the stands, for instance, Goodes rightly criticises the teenagers behaviour while calling for compassion insisting that its not her fault, that kids are innocent and we need to support her. When film-makers and critics refer to mise en scene, they are often referring to these 4 main elements on the screen: Setting including props and decor. 'The Final Quarter': Film Review. "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. Students will learn what an archival documentary is and examine archival documentary filmmaking conventions, particularly in relation to the film 'The Final Quarter'. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. FBIRadio. As Darling astutely realised, the footage says it all. 2022 Shark Island Productions and Cool Australia. 1. Explores how societal values are shaped and investigates the concepts of equity, equality and inclusion as they relate to Aboriginal and Torres Strait Islander peoples. Use the film to educate young people about racial vilification at a grassroots level and continue outreach to ensure The Final Quarter continues to have a long-term and lasting legacy. "Callum Mills wins 2016 AFL Rising Star award", "Ejected teenage fan didn't know 'ape' was racist", "Adam Goodes' leave from AFL this weekend should fuel shame: Bartlett", "Man up? Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. Teachers are advised to use their discretion when deciding whether to show this film. The Final Quarter - Listening To Community - Years 7-9 Adam Goodes during the 2015 semi-final between the Sydney Swans and the North Melbourne Kangaroos. Documentary Australia at Sydney Film Festival, https://thefinalquarterfilm.com.au/media-articles/, Early-Mid 2019: Screenings with dozens of influential organisations and individuals including peak Indigenous bodies, the Australian Human Rights Commission, the AFL including the Indigenous Players Group and all 18 AFL Clubs, May 2019: Media screenings for more than 100 journalists as a part of a proactive media strategy to reach a mass audience, 7 June 2019: Premiere screenings at the Sydney Film Festival to sold out audiences, receiving unprecedented demand and extensive media coverage, followed by a number of other film festivals, 19 July 2019: Broadcast nationally on Channel 10 (July 18) and WIN- accompanied by a special on, 20 September 2019: the film became freely available to schools, sporting clubs and community organisations and anyone could access the resources, stream the film, or request a copy of the DVD, Community, corporate, school and sporting club screenings were facilitated, with Shark Island staff attending over 95% of the screenings to participate in panels and Q&As, 27 September 2019: the Home Entertainment (digital) release began. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. [30] Garry Maddox, for the Sydney Morning Herald says "It is a powerful work that stirs deep emotions",[31] while Screenhub's Sarah Ward calls it 'crucial'. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. If teaching in a context with a high proportion of Aboriginal and Torres Strait Islander children, it is imperative that guidance is sought from the Principal and Aboriginal Education Officer (or equivalent) prior to screening the film. Embracing Diversity Years 5 & 6, Assembling Archival Footage Media Arts Years 9 & 10. This is the time period captured in director Ian Darlings exhilarating and confronting documentary, which premieres at the Sydney film festival on 7 June and is intended to spark a reassessment of the national conversation at the centre of which Goodes found himself. Premiering at the Sydney Film Festival, what a picture The Final Quarter paints; one that as the archival footage emphasises all played out in the public eye under the sizeable gaze of both the country's football media and the popular code's supporters. That's not going to change in 2019, but for a different reason the dual Brownlow medallist and 2014 Australian of the Year is the subject of two documentaries, with each exploring his story on and off the field, including the racism he endured over his 17-season playing career. Level of teacher scaffolding: Medium introduce new concepts and facilitate discussions and activities. Next steps in 2020: Distribute a DVD and educational resources to every principal of every high school in Australia, as well as every junior and senior sporting club with access to the film, and continue community outreach. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. [20], Many commentators and Goodes himself believed that the booing was racially motivated, while others believed that it was motivated by dislike of his playing style or of his response to a 13 year old girl who shouted a racially-charged insult at him. These should help both aspiring and professional cinematographers create the most impactful and engaging films and music videos. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period. 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The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. There are many themes, concepts and events in the film that teachers need to be aware of and reflect upon so that they can provide sufficient safety and support for students. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. [6] Goodes was deeply affected by the incident, but said repeatedly that the girl should not be blamed; the environment that she grew up in had shaped her response. Is this your listing? The statement also said that the football community "pledged to continue to fight all forms of racism and discrimination, on and off the field". Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. Documentary Australia acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation. Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. We highly recommend that students view the film in its entirety before participating in subsequent lessons. 0000095341 00000 n 0000003887 00000 n Project-specific support provided by Screen Australia's development programs since the agency's inception in July 2008. In April 2019, on the eve of the documentary's premiere, the AFL and all of its 18 clubs issued an unreserved apology for the sustained racism and events which drove Goodes out of the game. 0000004654 00000 n 0000010667 00000 n Synopsis In addition, new educational resources will be released. Shortly this will also incorporate project-specific market and festival support provided by Screen Australia since its inception in July 2008. This is what was seen. [28], The documentary was widely praised by critics. Third party web links are provided for your convenience only. 0000019988 00000 n [35] The Hawthorn players all wore number 37, Goodes' jersey number, during their warm ups before their match against Sydney on 21 June 2019 in a gesture of support.[28]. In addition, 13,000 users accessed the educational resources on Cool Australia and 2,500 watched the film, and the AToM study guide was downloaded 3,507 times. Relevant parts of Years 9 & 10 achievement standards: By the end of Year 10, students analyse how social and cultural values and alternative points of view are portrayed in media artworks they make, interact with and distribute. Through the Narragunnawali platform, schools and early learning services can develop a Reconciliation Action Plan (RAP), and teachers and educators can access professional learning and curriculum resources to support the implementation of reconciliation initiatives. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. 0000006599 00000 n Director: Ian Darling How did it come to this? Explores how privilege operates in Australian society and encourages thinking about how to acknowledge and challenge white privilege to create a fairer society. 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THE FINAL QUARTER April 2019 PRODUCTION CREDITS Director Ian Darling Producers Mary Macrae & Ian Darling Editor Sally Fryer Executive Producer Malinda Wink Executive Producer Mark Monroe Executive Producers Mark Nelson & Will Vicars Archive Researcher Lindy Boylan Composer Paul Charlier Sound Designer Wes Chew Graphics Paul Ducco Edit Assistant This is what was heard. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. The obvious inspirations for Darlings film which is more a work of assembly than construction are the documentaries of British film-maker Asif Kapadia, particularly his rousing 2010 sports film Senna. Check out the trailer for The Final Quarter below: The Final Quarter will release in Australian cinemas later this year. 0000052832 00000 n Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of footballer Adam Goodes' playing career. The game did not do enough to stand with him, and call it out. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. Despite much of the material being confronting, The Final Quarter is also inspiring, with a message that each of us will be remembered ultimately for two things: what we say and what we do. Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. The cheers became boos as football crowds turned on him. 0000103450 00000 n In developing the lessons it was critical that we had the input of a psychologist and expert groups to ensure these lessons promote emotional safety and cultural awareness. Students explore the way mood and message is created for the audience by the editor and director. Our Watching the Film lessons are designed to support you in facilitating this process. Our game is about belonging. [11] The booing of Goodes intensified in the months after the war dance. Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. I am referring of course to the final quarter, as it were, in the career of Sydney Swans star Adam Goodes, who chalked up a whopping 372 games in total the most of any Indigenous player in history. 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